Seminar (Redux)

As you already know, I saw Seminar with my daughter when Alan Rickman was in the play.  And it was fabulous.   But, as you probably also know, my husband did not make the performance and so he still very much wanted to see it.   To that end when Rickman left and Jeff Goldblum—who I also love—joined the cast, it seemed like the perfect way for me to see it again, this time with my husband and mother in tow.

I’m not big on revisiting something I like.  Especially if there have been major cast changes.  And in this case not only was Alan Rickman gone, but also the actors playing Kate and Martin, both of whom I thought were excellent—particularly Lily Rabe as Kate.  In the new version, the role of Martin had been taken over by Justin Long (yes, Mac guy) and Kate was played by understudy Christina Pumariega.   I’ll also admit that I always hate seeing that little slip of paper in the Playbill saying that a major cast member won’t be performing.

But in this case—all my worries were for naught.  Jeff Goldblum was wonderful.  A completely different interpretation of the role from Rickman’s.  And I have to say I thought a better one.  Definitely funnier.  And wonderfully off-beat.  Somehow this Leonard made more sense in the context of the story.  Rickman played him as tortured and somewhat cruel. Enigmatic which was by no means a mistake.  He was excellent in the role.  But Goldblum’s slightly jaded, definitely off kilter Leonard was more vulnerable somehow, and I actually could see him taking the journey revealed to become the man he was more so than I did with Rickman’s version.

And Justin Long was absolutely wonderful.  While I thought Hamish Linklater was strong in the role, Long was so much better.  There were more layers to the performance.  And his physicality playing against Goldblum was superb.  Maybe it was just the two of them together.  But I was totally impressed.  (As I have been in his movie appearances, particularly the last Die Hard.)  He also walked a tightrope between repression and vulnerability.  And he almost perfectly captured the obtuse reactions of a man missing the woman standing right in front of him—until it was too late.

Lily Rabe, the first Kate was absolutely pitch perfect.  I’ve enjoyed her in several Broadway performances and think she’s definitely an actress to watch.  Christina Pumariega, as an understudy (replacing Zoe Lister-Jones), was someone you wanted to cheer for.  I mean, who doesn’t love the underdog.  And she didn’t disappoint.  While her performance didn’t have the complexity of Lily Rabe’s, it was spot on perfect with comedic timing.  And if you’d missed the little white slip of paper, you’d never have known she was the understudy.

All in all, I actually enjoyed this performance more than the first. Both Jerry O’Connell and Hettienne Park were still playing the same roles from the original cast.  And as is often the case, they had settled into their roles nicely.  Hettienne still hitting the perfect notes for her character Izzy and O’Connell seeming more relaxed and natural in the role.  I appreciated his character much more this time. Whether it was his acting or the shift in the tone due to Goldblum’s interpretation, I can’t say.  But I highly recommend it.

Theresa Rebeck, who brought us SMASH for NBC, has written a poignant, funny story about writers and their fears both real and imagined.  It’s worth an evening at the theatre.  In my case—twice.

Seminar, Golden Theatre, 252 West 45th Street


Okay first I have to say that I have loved Alan Rickman since the first time I saw him in Truly, Madly, Deeply.  And he’s only gotten better and better and better.  So the chance to see him on Broadway was a dream come true.  Second off, my husband also loves Alan Rickman, but still managed to forget that we were going to the theatre, so I wound up seeing the play without him (but with my daughter which was every bit as wonderful).

And the play (as well as the man) did not disappoint.  In fact, unlike several star turns I’ve seen of late, I was impressed with the quality of the entire cast.  Comprised of only five people it was great fun to watch four of them spar with each other as Rickman served as instigator.  Particularly wonderful was Lily Rabe, whose character pulls the audience right into the class with her.   I’d seen Rabe (who is Jill Clayburgh’s daughter) in Steel Magnolias a few years back and was delighted to have the chance to see her again, but her performance definitely outshone any preconceived notions I might have had.  She’s a delight.

Hamish Linklater who’s pivotal role is understated throughout was no less enjoyable to watch.  He was so believable as a writer and student, I almost forgot at one point that I was watching a play.  He superbly embodied both the of the fragility of writers and the idealism of students.  Supporting characters played by Jerry O’Connell and Hettienne Park were also excellent and rounded out the cast nicely.

But the center of the piece obviously was Rickman.  He has aged gracefully (as I fear I perhaps have not) and still has that magical voice that rivets you to your seat even when he’s speaking expletives.   The dichotomy of his character was well written and even better acted.  And I so enjoyed every minute he spent on the stage.  Although I’ll admit to one moment where I broke from the play wanting him to say “Potter” just once.

The play, a world premiere, written by Pulitzer Prize nominee Theresa Rebeck is about four aspiring writers taking a private seminar conducted by a world renowned writer

(Rickman).  It is by turns hilariously funny, vicious, sexy, witty and poignant.  The story and its characters weave to a bittersweet conclusion that leaves the audience satisfied but still thinking.

Well-acted and well written, I highly recommend it.  I may have gone to see Alan Rickman, but I came away loving the play.

Seminar, Golden Theatre, 252 W. 45th St. between Broadway & 8th Ave